ofbeing”bored”todeath,.thesateique,orrather

thefarrupletothefieldshavegone,

taphorsintheelvesarenothing:thepoetrynsistsispreadinghis

fullblossotandingidlyinfront,apparentlyingitsfragrantgloryoed

not,astheyoughtto,reerhoudsharethepoetsfeelingofpoignant

noheredsparroing,

hillside,hjustasiage,halldoorsclosedandasolitarypeachtreein

hisnotebook:

threelelonggayandgreenoas”heartless”becausetheydid

onluded

attitude,isextrelyninallgoodesepoetry.so,forinstance,didlipo

iedpalace,

andtheshewangandhsiehhalls,

hereetyistheuntrypalace,etylikeadreainlonelinessandquietthered

ierialflo.soberidsarechatting.

andontheblackgoheevningsunisglowing,

sharehisople,he

e.

regret.

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thelastandstiortantpointistheiofnaturalobje

houtoingintothedetailsoftheirdisurse:

etiohesotiontoliveand

taphors,like”idleflohesadhechafingsparroc.the

or,inoneofhisbestknos,drink

aotions,notbydirectpersonificationbutbying

lateattipassedtheverdanthills,

isachieved,then,isapoeticfeelingforthepeachtree,supposedtobecapable

ihedecayoftheblae

aainonfolloeho

anddeadboredaretheflosideitsdoors.

nonpeopleshos梬ithouttheirknowing.

valley.istillreerthelasttyfriechedin

beginoneofhisbestpoe:

eofthegreatilies: