esetheatresurroundings.

theesetheatreofthebettertypeinayardliketheelizabethare.

”civilized”odetheatrebuildings.

esegentlensnervesonend.itispossiblyallaquestionofadaptation.butthe

actorshadtopetehthepeddlerscries,thebarberstuningforks,the

oddnts,andyouhaveapictureoftherelatiohe

...

arealfoodof

greatchukoliangireetsofoldpeking.

frohesaxophoneandothersounddnessfrohejazzbandany

instcases,hoph

enatingfrohegongsanddruinlitaryplaysandtheequallynerverag

usedasaansofattragattention;theyalheplaysanduldbe

本章已阅读完毕(请击下一章继续阅读!)

havebeenheard,asanybodyyverifyforhielf.thegongsanddruwerealso

aniaina,unknoi

ofthepeople.igineapeopleassesknoireetsandatall

heardaleaovies.when

st,oobe

fnvisitorsatesetheatresareoftenstruruciatingnoise

lovelyasthetaryis,asandtheodddratigs

inofthedruandgongsandthefalsettolybeuoodinthelightof

dodiatelyaftertheoasioheatrehereforeintheopenandthe

ltsugarsellerssllgongs,theshoutingofn,enandchildrenandthe

unterevideheapparentforteristoleratesqueaks

orlessaloaintraditio

or”operania,”aenseeaniafthelohdishevelled

stagediheatrebuilding,thevoluofhusproducedistrulyterrific,

abovethegroundiatheopen,orshtacrossathhfare,tobetaken

hairandcladintatters,singingtheairsofkunggdagthepartofthe

thepoor.deeperthananyotherliteraryart,theoperashavegohehearts

butsohoselvestoit,asthearishave

adaptedtheelvestojazz.theyheylifetogeta”kick”outof

barkingofdogs.abovesuchadin,onlyathinfalsettokeyedinahighpitchuld

it.tiedand

yfireliefthat,

fropurelyliterarypointofvieatiatypeofpoetry

hsiaotiao}tofindsoofovesre

falsettooflesingers,.this