asthisarthasahistoryofhousandyears,andaseveryertriedto

itseetothatand

sihofthehorse,

such,asapartfrotent.apaintinghastonveya,butaten

isofsignificetotheisthefactthat,notonlyhasitprovidedthe

structurethatyetkeepsitsbalance,heeersbytheirfinesse,all

squarebutareposedfroheoddestelents,presentaninfinitevarietyof

ssiveness,ruggedness,araintorfreedoandasregardsforheistaught

cultivationandappreciationofpureposition,

fotten,andthelinesandforareappreselves.inthis

realisethatthesee.”

therefore,theairedevotiontopurefors

theresobehtypesarenoteasilyseeninotherfieldsofeseart.

basesofesenotionsofbeauty.

byderivingitsartistinature,espeals梩

sotiseveyinslouessularity.thustheartofcalligraphy

certaintypes,suchastheyularityorofaforevertoppling

bodyoftheleopard,thessivepahetiger,theslegsofthedeer,the

engineeringorastrono.inappreciatingesecalligraphy,theaniirely

charaveysonlyitsoyoflineandstructure.inthisabsolutelyfree

strusustsolveforhielf.thus,through

fundantalstrokesofing.ifthereisohis,hewill

providesasofaesthetiiationayhe

position,standsiiontopaintingaspuretheticsstandsiionto

andforandithasdoneso

fpaintii

field,everyvarietyofrhythasbeeeduponaypeofstructure

force,suppleness,reservedstrength,exquisitetendeess,sness,ness,

aesthetiisticipleaybe

hebranflohafehespringing

distinguishhielfbyaructure,therefore,incalligraphy,if

stfruitfulofresultsoodandapplied.asstated,ese

hasbeenexplored.theientpossible,andtheeseters,heoretically

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inanythioftheeseartistid.

calligraphy,theesescholaristraioappreciate,asregardsline,qualitieslike

toappreciateharny,proportion,ntrast,balance,lengthiness,paess,and