epoetry.thatdifference

abletheprinesecalligraphy.thesebasic

givingusonlyapletelysatisfying

atsphereallitso

nner.sohohepicturebeforeushasundergoneaninnerprocessof

transfortioniistsnd,shoofitsirrelevasdisharnies,and

deternedbyitsoonyandrkedbyacertain”rhythcvitalityanda

abletoessquare,inlinesandfortrulyhyofthe

sandstructuresofesearture,weshallbe

naofanart.

painting,butessentiallydifferentandachievedbydifferentans.itshoain

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thepointsofntrastarationeasiertotradhatthe

poetry,painting,arture,porcelainandhousederations,aialunityof

nn.itoachievea

artisthasinterferedaterialrealityaedittousonlyasitappearsto

thefullsignifialligraphyasthebasisofeseaestheticswillbe

boldnessandfreedofthebrushpresstheonlookerinanunfettable

hihoutlosingitsessentiallikenessorintelligibilitytoothers.itissubjective

spirit.

ishardtograspandexpress.ithasaosphere,visibleine

esepainting,thefloure,isdistinguishedbyaspiritandan

it.thedesignisreobvious,theelinationofterialrerigidlycarriedout,

hewillbe

seeninastudyofesepaintingandarture.inthelinesandpositionof

enoofterial,rkedbythenyblankspaces,anideaofposition

ideasofrhythforndatspheregivethedifferentlinesofeseart,like

odeepainting,and

iii.painting