ursetherearealsonyeersy

eastandthefeleforortheindasbeingre

saatsphereandthesafeelingfoature,butirayalofhunfor,

arestilluoreheelvestothefaivilizationrequires

felefigurecalled”ion.”thereisstilltodayalargeproportionof

...

reins.thatis”rhythcvitality,”ettijuung,thehighestidealof

ihegeneralistnessoftheatsphere,or,like

dofnature.thebestofelandscapes,likerots3giveusthe

hespiritofthethingsasitisinstilledintohissoul,and

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bathinggirlshouldbedetorepreseeer.”todaynyese

singularteristifostsingularntrastbethineseand

notthebeautiesoftheirbodiesbutthelihehehis

recreateforusapicture,”surchargedoodsandfeelings,evergingand

vienneseporeoftheirfriendshavepreseheorchrists,

forofnature.ifthereisanyapprealehunforssuch,wesee

englishandarisocietyuresintheirflatsby

theygenerallybanishtheaionbycallihings

sayingthattheroosrentedfuished,andknotodoha

eartisthedifferehesourceofinspiratioselfforthe

gongpilesofksandbrushwood

andhideshielfinbaoogrovesfordaysioabsorbthespiritoflifeand

”art,”andtheonesadethen”cr

lingistsherodenlethetrees,

ther”abovetheirntelpiedutelatea

affectusbytheirlonelinessandtheirshiveringld.inthepoosphere

anbody,espealebody,seetotobethest

thisisthessageofeseart,thatitteachesusaprofoundloveofnature,forthe

grotesquethanthatafelefigureshouldbelabelled”ion”orthatanude

te,beforeoneleaeventhefirstessentialsofpainting.of

ight,likeyiijen,giveusalandscapeof

ofblankenessareessosparseoffoliagethatonlyafewdanglingleaves

notraalefest,

actualliving”dels,”strippedandplacedbeforeoneseyes,tobestaredatdailyfor

nature.heshouldousthebeofthatnionofnature,and

niyiinligiveusapindesolation,htheuntryastretch

theisdesubservienttothe

eetagain

andthisgeneralrhythalldetailstenandonlythetralinood